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Dave Rat’s Mighty Headphone Quest

For over a decade now I have sworn by my now discontinued Sony MDR-CD3000 headphones as my trusty live sound reference point. When I wrote an article stressing the importance of having high-quality live sound cans, I failed to mention viable options for the sound engineer readers to acquire.

 

 

The Mighty Headphone Quest Part 6

The Mighty Headphone Quest Part 7

 

Featured Equipment Spotlight – SoundTools

IMG_5392Daniella Peters is the head of the sales department at Rat Sound and will be contributing a new column to SoundGirls.Org highlighting unique and useful equipment. As sound engineers, it is important to select and use the right tools for the job, which is not always the newest and fanciest equipment. There are times that the job calls for an analog desk and times that a Shure SM57 is the better choice. Sometimes the job calls for ease in control and sometimes just assembling the best tools that your budget will allow. (more…)

SoundGirls.Org to Host Dave Rat Seminar

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We are super excited to be able to offer to our members a Dave Rat Seminar on April 30, 2015. The Seminar will take place at Rat Sound HQ in Camarillo, CA and is only open to SG Members. (more…)

Touring Life and Motherhood or How You Can’t Have it All

Note – I do know a few men in the industry who have sole custody of their children and face many of the same issues.

After the birth of my daughters, I took some time off and did not work at all. As reality sunk in, I came to realize that touring was going to be difficult if not impossible. I thought about going back to school and getting a teaching degree – still one of the professions that allows for a schedule to be with your kids. I eventually returned to Los Angeles and took on a general manager role at Rat Sound – which really was doing a bit of everything, similar to what I did before but kept me off the road.

It was pretty great for awhile – I was able to achieve a balance between work and raising my daughters. Then the Chili Peppers launched a 17 month world tour, which I turned down. It took a while for this sink in, as I embraced my new life – I came to really miss being on the road and I wrestled with this for a while – but there did not seem to be any option. I started to work local shows again, but this I found pretty difficult to balance – the long hours, the child care bill, trying to function as a zombie the next day.

Then I was offered REM and I was determined to do it – I did not know how I was going to make it work – but I knew I wanted that gig. After many discussions with the girls dad, we came up with a game plan to make it work. In the end, the gig ended up falling thru as they wanted a FOH and Monitor team, engineers that had worked together for several years. My team was Brett Eliason (PJ FOH Engineer) and he could not do the tour.

It ended up being for the best – as parents we had worked out what we were comfortable with, what I needed to be happy, and what we felt was best for the girls.

It basically broke down to:

And that is what we did for years – still do – but now they are self sufficient and I think look forward to us being on the road. The girls had an extended family that they felt safe with and were loved. It also made them independent. Plus they got to travel with us several times and got to see some cool places.

Of course, this would not have been possible without a father that was willing to be a full time dad. I think this made him a better father – and the girls were bonded to both parents. We both made sacrifices to do this – There were tours turned down on both sides, mixing challenges and experiences that were missed. Yet, when I was home it was 24/7 and for every championship softball game I missed – I was there for most of the season.

I guess what I am trying to share is that you can be a mom and have a career in audio. It is not going to be easy, but life is not easy. You might choose to work a constant theater gig over touring, or work part time doing local shows for a sound company. You might switch to an AV gig. Even with the sacrifices made – I always felt it was better than working a 9-5 job with the kids in daycare. And I still got the rush of working a live concert. Would I have followed the path I did without kids – I will never know.

I would love to hear how others have balanced this or are attempting to.

 

 

SoundGirls.Org Summer Video Contest

Enter to win an XLR Sniffer/Sender from Sound Tools!

SoundGirls.Org would like to put an introduction video together about live sound production and the Sound Girls that make it happen. The video will be used on our website and for educational outreach. (more…)

Gear Reviews

Dave Rat on the new EAW Anya Rig

Rat Sound – Coachella Q & A

Coachella

Coachella

SoundGirls.Org members submitted their sound related questions about Coachella. Rat Sound’s Daniella Peters and SG member, Jon Monson Head of Touring, and Dave Rat took time from their busy schedules to answer them. A big thanks to Rat Sound. (more…)

Coachella Music and Arts Festival – Two Companies that Did!

By: Karrie Keyes

On November 5, 1993, Pearl Jam performed the first music concert on the grounds of The Empire Polo Field. The site was chosen as the band embarked on a tour boycotting Ticketmaster, and the seed was planted for a large-scale music festival. Paul Tollet of Goldenvoice was the driving force in creating Coachella and six years after the Pearl Jam concert, The Coachella Valley Music and Arts Festival was launched. (more…)

Anya System Review by Dave Rat

[youtube=http://www.youtube.com/watch?v=IBKHSsOW7mM&feature=youtu.be]

Rat Sound Systems has always been known for its innovation and creativity. From the beginning with their custom sound systems designed for the punk rock scene Rat incorporated innovations. Such as, hard for the punters to climb, beer and boot stomping tolerant stage monitors, system protection limiters that allowed the engineers to turn things up to “11” without blowing out speakers, and compact packaging that fit into a van. (more…)

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