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The Volume Battle

 

Over the course of twenty-two years with Pearl Jam, the stage volume has always been an issue. Back in the day, stage volume measured around 120 to 122 dB on any given day. Mind you, we were playing clubs and small theaters, and often the stereo drum mix ( 2 Rat dual 15”/ dual 10”/2” cabinets) with a sub was loud enough to fill the room. (It would have been louder than most of the club sound systems, except we were carrying production). The vocal mic would feedback in the drum monitor. Our first soundman, Brett Eliason, would often joke that he only needed to add HH and Vocal to the house mix. (more…)

Made in America

 

Originally this blog was going to detail the new Pearl Jam monitor system in reverse. When I sat down to write it – I realized that it was going to be difficult to document the stages and changes and have them make sense. So I have decided to document it from beginning to end. It starts almost a year ago at the “Made in America Festival” and comes to a temporary end at Wrigley Field. I say temporary as production is never static and should keep evolving.

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